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Bach Edition: Complete Works (155 CD Box Set) | 
| Creators: Johann Sebastian Bach, Andrew Manze, Stephen Cleobury, La Stravaganza Köln, Pieter - Jan Belder, Emmy Verhey, Jaap Ter Linden, The Choir Of King's College Cambridge, The Brandenberg Consort, The Sixteen Label: Brilliant Classics Category: Music
List Price: $139.98 Buy New: $114.49 You Save: $25.49 (18%)
New (20) Used (5) from $114.49
Rating: 59 reviews Sales Rank: 4421
Format: Box Set Media: Audio CD Discs: 155 Shipping Weight (lbs): 8.5 Dimensions (in): 15.3 x 5.4 x 5.2
MPN: 93102 UPC: 842977031027 EAN: 0842977031027 ASIN: B000HRME5U
Release Date: October 17, 2006 Availability: Usually ships in 1-2 business days
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| Tracks:
Disc 1
| | Without tempo indication | | | Adagio | | | Allegro | | | Menuet - Trio I - Polonaise - Trio II | | | Without tempo indication | | | Andante | | | Allegro assai | | | Without tempo indication | | | Adagio | | | Allegro |
Disc 2
| | Allegro | | | Andante | | | Presto | | | Allegro | | | Affettuoso | | | Allegro | | | Without tempo indication | | | Adagio ma non tanto | | | Allegro |
Disc 3
| | I. Ouverture | | | II. Courante | | | III. Gavotte I & II (alternativement) | | | IV. Forlane | | | V. Menuet I & II (alternativement) | | | VI. Bourée I & II (alternativement) | | | VII. Passepied I & II | | | Sinfonia | | | I. Ouverture | | | II. Rondeau | | | III. Sarabande | | | IV. Bourée I & II (alternativement) | | | V. Polonaise | | | VI. Menuet | | | VII. Badinerie |
Disc 4
| | I. Ouverture | | | II. Air | | | III. Gavotte I & II | | | IV. Bourée | | | V. Gigue | | | Wir müssen durch viel Trübsal in das Reich Gottes eingehen | | | I. Ouverture | | | II. Bourée I & II | | | III. Gavotte | | | IV. Menuet I & II (alternativement) | | | V. Réjouissance |
Disc 5
| | Allegro | | | Adagio | | | Allegro | | | Allegro | | | Adagio | | | Allegro assai | | | Allegro | | | Largo | | | Presto | | | Allegro | | | Andante | | | Allegro assai | | | Allegro | | | Adagio | | | Allegro |
Disc 6
| | Allegro | | | Adagio | | | Allegro | | | Without tempo indication | | | Siciliano | | | Allegro | | | Without tempo indication | | | Adagio e piano sempre | | | Allegro | | | Allegro | | | Larghetto | | | Allegro ma non tanto |
Disc 7
| | Without tempo indication | | | Largo | | | Presto | | | Without tempo indication | | | Andante | | | Allegro assai | | | Without tempo indication | | | Andante | | | Allegro assai | | | Allegro | | | Largo ovvero adagio | | | Allegro | | | Without tempo indication | | | Largo | | | Allegro |
Disc 8
| | Without tempo indication | | | Adagio ovvero largo | | | Fuga | | | Without tempo indication | | | Andante | | | Allegro Assai | | | Without tempo indication | | | Alla siciliana | | | Allegro | | | Without tempo indication | | | Adagio | | | Allegro |
Disc 9
| | Allegro | | | Adagio | | | Alla breve | | | Allegro | | | Adagio | | | Allegro | | | Allegro | | | Larghetto | | | Allegro ma non tanto | | | Vivace | | | Largo | | | Allegro |
Disc 10
| | Adagio | | | Fuga (allegro) | | | Siciliana | | | Presto | | | Allemanda | | | Double | | | Corrente | | | Double, presto | | | Sarabande | | | Double | | | Tempo di Borea | | | Double | | | Grave | | | Fuga | | | Andante | | | Allegro |
Disc 11
| | Allemanda | | | Corrente | | | Sarabande | | | Giga | | | Ciacona | | | Adagio | | | Fuga | | | Largo | | | Allegro assai | | | Preludio | | | Loure | | | Gavotee & Rondeau | | | Menuet 1 - Menuet 2 - Menuet 1 | | | Bourrée | | | Gigue |
Disc 12
| | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Minuet I & II | | | Gigue | | | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Bourrée I & II | | | Gigue | | | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Gavotte I & II | | | Gigue |
Disc 13
| | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Minuet I & II | | | Gigue | | | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Bourrée I & II | | | Gigue | | | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Gavotte I & II | | | Gigue |
Disc 14
| | Andante | | | Largo e dolce | | | Presto | | | Allegro moderato | | | Siciliano | | | Allegro | | | Vivace | | | Largo e dolce | | | Allegro |
Disc 15
| | Andante | | | Allegro | | | Adagio | | | Menuet 1 & 2 | | | Adagio ma non tanto | | | Allegro | | | Andante | | | Allegro | | | Adagio ma non tanto | | | Allegro | | | Siciliano | | | Allegro assai | | | Allemande | | | Corrente | | | Sarabande | | | Bourrée anglaise |
Disc 16
| | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Gavotte 1 & 2 | | | Gigue | | | Prelude | | | Allemande | | | Courante | | | Sarabande | | | Bourrée | | | Gigue | | | Prelude | | | Fugue | | | Sarabande | | | Gigue-double |
Disc 17
| | Prelude | | | Fugue | | | Allegro | | | Prelude | | | Loure | | | Gavotte en rondeau | | | Menuet 1 & 2 | | | Bourrée | | | Gigue |
Disc 18
| | Adagio | | | Allegro ma non tanto | | | Andante | | | Allegro moderato | | | (Adagio) | | | (Allegro) | | | Andante | | | Allegro | | | Prelude | | | Fugue | | | Vivace | | | Adagio | | | Allegro |
Disc 19
| | Musical Offering. Ricercare a 3 | | | Musical Offering. Ricercare a 6 | | | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Largo | | | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro | | | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Andante | | | Sonata sopr'il Soggetto Reale a Traversa, Violino e Continuo. Allegro | | | Thematis Regii, Elaborationes Canonicae. Canon a 2 cancrizans | | | Thematis Regii, Elaborationes Canonicae. Canon a 2 in unisono | | | Thematis Regii, Elaborationes Canonicae. Canon a 2 motum contrarium | | | Thematis Regii, Elaborationes Canonicae. Canon a 2 per augmentationum, contrario motu | | | Thematis Regii, Elaborationes Canonicae. Canon a 2 per tonos | | | Thematis Regii, Elaborationes Canonicae. Fuga canonica in Epidiapente | | | Thematis Regii, Elaborationes Canonicae. Canon perpetuus super Thema Regium | | | Thematis Regii, Elaborationes Canonicae. Canon a 2 | | | Thematis Regii, Elaborationes Canonicae. Canon a 4 | | | Thematis Regii, Elaborationes Canonicae. Canon perpetuus | | | [Part 1] | | | [Part 2] | | | Canon simplex | | | All'roverscio | | | Beide sugleich, motu recto e contrario | | | Motu contrario e recto | | | Canon duplex a 4 | | | Canon simplex über besagtes | | | Idem a 3 | | | Canon simplex a 3 | | | Canon in unisono post semi fugam a 3 | | | Alio modo | | | Evolutio | | | Canon duplex a 5 | | | Canon duplex a 5 | | | Canon duplex a 6 | | | Canon a 4 augmentationem et diminutionem |
Disc 20
| | Adagio | | | Allegro | | | Andante | | | Allegro | | | Without tempo indication | | | Allegro assai | | | Andante | | | Presto | | | Adagio | | | Allegro | | | Adagio ma non tanto | | | Allegro |
Disc 21
| | Siciliano, largo | | | Allegro | | | Adagio | | | Allegro | | | Largo | | | Allegro | | | Adagio | | | Vivace | | | Allegro | | | Largo | | | Allegro | | | Adagio | | | Allegro | | | 3rd Movement. Cantabile, ma un poco adagio | | | 4th Movement. Adagio |
Disc 22
| | Aria | | | Präludium | | | Rezitativ und Arie: Ich habe genug |
Disc 23
| | (Prelude) - adagio ma non tanto | | | Allemande | | | Gigue | | | Adagio | | | Vivace | | | Largo | | | Presto | | | Adagio | | | Allegro ma non presto | | | Adagio e piano | | | Presto | | | Largo | | | Vivace | | | Adagio | | | Presto |
Disc 24
| | Prelude & Fugue No. 1 in C major. Praeludium | | | Prelude & Fugue No. 1 in C major. Fuga | | | Prelude & Fugue No. 2 in C minor. Preludium | | | Prelude & Fugue No. 2 in C minor. Fuga | | | Prelude & Fugue No. 3 in C sharp major. Praeludium | | | Prelude & Fugue No. 3 in C sharp major. Fuga | | | Prelude & Fugue No. 4 in C sharp minor. Praeludium | | | Prelude & Fugue No. 4 in C sharp minor. Fuga | | | Prelude & Fugue No. 5 in D major. Praeludium | | | Prelude & Fugue No. 5 in D major. Fuga | | | Prelude & Fugue No. 6 in D minor. Praeludium | | | Prelude & Fugue No. 6 in D minor. Fuga | | | Prelude & Fugue No. 7 in E flat major. Praeludium | | | Prelude & Fugue No. 7 in E flat major. Fuga | | | Prelude & Fugue No. 8 in E flat minor. Praeludium | | | Prelude & Fugue No. 8 in E flat minor. Fuga | | | Prelude & Fugue No. 9 in E major. Praeludium | | | Prelude & Fugue No. 9 in E major. Fuga | | | Prelude & Fugue No. 10 in E minor. Praeludium | | | Prelude & Fugue No. 10 in E minor. Fuga | | | Prelude & Fugue No. 11 in F major. Praeludium | | | Prelude & Fugue No. 11 in F major. Fuga | | | Prelude & Fugue No. 12 in F minor. Praeludium | | | Prelude & Fugue No. 12 in F minor. Fuga |
Disc 25
| | Prelude & Fugue No. 13 in F sharp major. Praeludium | | | Prelude & Fugue No. 13 in F sharp major. Fuga | | | Prelude & Fugue No. 14 in F sharp minor. Praeludium | | | Prelude & Fugue No. 14 in F sharp minor. Fuga | | | Prelude & Fugue No. 15 in G major. Praeludium | | | Prelude & Fugue No. 15 in G major. Fuga | | | Prelude & Fugue No. 16 in G minor. Praeludium | | | Prelude & Fugue No. 16 in G minor. Fuga | | | Prelude & Fugue No. 17 in A flat major. Praeludium | | | Prelude & Fugue No. 17 in A flat major. Fuga | | | Prelude & Fugue No. 18 in G sharp minor. Praeludium | | | Prelude & Fugue No. 18 in G sharp minor. Fuga | | | Prelude & Fugue No. 19 in A major. Praeludium | | | Prelude & Fugue No. 19 in A major. Fuga | | | Prelude & Fugue No. 20 in A minor. Praeludium | | | Prelude & Fugue No. 20 in A minor. Fuga | | | Prelude & Fugue No. 21 in B flat major. Praeludium | | | Prelude & Fugue No. 21 in B flat major. Fuga | | | Prelude & Fugue No. 22 in B flat minor. Praeludium | | | Prelude & Fugue No. 22 in B flat minor. Fuga | | | Prelude & Fugue No. 23 in B major. Praeludium | | | Prelude & Fugue No. 23 in B major. Fuga | | | Prelude & Fugue No. 24 in B minor. Praeludium | | | Prelude & Fugue No. 24 in B minor. Fuga |
Disc 26
| | Prelude & Fugue No. 1 in C major. Praeludium | | | Prelude & Fugue No. 1 in C major. Fuga | | | Prelude & Fugue No. 2 in C minor. Praeludium | | | Prelude & Fugue No. 2 in C minor. Fuga | | | Prelude & Fugue No. 3 in C sharp major. Praeludium | | | Prelude & Fugue No. 3 in C sharp major. Fuga | | | Prelude & Fugue No. 4 in C sharp minor. Praeludium | | | Prelude & Fugue No. 4 in C sharp minor. Fuga | | | Prelude & Fugue No. 5 in D major. Praeludium | | | Prelude & Fugue No. 5 in D major. Fuga | | | Prelude & Fugue No. 6 in D minor. Praeludium | | | Prelude & Fugue No. 6 in D minor. Fuga | | | Prelude & Fugue No. 7 in E flat major. Praeludium | | | Prelude & Fugue No. 7 in E flat major. Fuga | | | Prelude & Fugue No. 8 in E flat minor. Praeludium | | | Prelude & Fugue No. 8 in E flat minor. Fuga | | | Prelude & Fugue No. 9 in E major. Praeludium | | | Prelude & Fugue No. 9 in E major. Fuga | | | Prelude & Fugue No. 10 in E minor. Praeludium | | | Prelude & Fugue No. 10 in E minor. Fuga | | | Prelude & Fugue No. 11 in F major. Praeludium | | | Prelude & Fugue No. 11 in F major. Fuga | | | Prelude & Fugue No. 12 in F minor. Praeludium | | | Prelude & Fugue No. 12 in F minor. Fuga |
Disc 27
| | Prelude & Fugue No. 13 in F sharp major. Praeludium | | | Prelude & Fugue No. 13 in F sharp major. Fuga | | | Prelude & Fugue No. 14 in F sharp minor. Praeludium | | | Prelude & Fugue No. 14 in F sharp minor. Fuga | | | Prelude & Fugue No. 15 in G major. Praeludium | | | Prelude & Fugue No. 15 in G major. Fuga | | | Prelude & Fugue No. 16 in G minor. Praeludium | | | Prelude & Fugue No. 16 in G minor. Fuga | | | Prelude & Fugue No. 17 in A flat major. Praeludium | | | Prelude & Fugue No. 17 in A flat major. Fuga | | | Prelude & Fugue No. 18 in G sharp minor. Praeludium | | | Prelude & Fugue No. 18 in G sharp minor. Fuga | | | Prelude & Fugue No. 19 in A major. Praeludium | | | Prelude & Fugue No. 19 in A major. Fuga | | | Prelude & Fugue No. 20 in A minor. Praeludium | | | Prelude & Fugue No. 20 in A minor. Fuga | | | Prelude & Fugue No. 21 in B flat major. Praeludium | | | Prelude & Fugue No. 21 in B flat major. Fuga | | | Prelude & Fugue No. 22 in B flat minor. Praeludium | | | Prelude & Fugue No. 22 in B flat minor. Fuga | | | Prelude & Fugue No. 23 in B major. Praeludium | | | Prelude & Fugue No. 23 in B major. Fuga | | | Prelude & Fugue No. 24 in B minor. Praeludium | | | Prelude & Fugue No. 24 in B minor. Fuga |
Disc 28
| | Praeludium | | | Allemande | | | Corrente | | | Sarabande | | | Menuet 1 / Menuet 2 | | | Giga | | | Sinfonia | | | Allemande | | | Courante | | | Sarabande | | | Rondeaux | | | Capriccio | | | Toccata | | | Allemanda | | | Corrente | | | Air | | | Sarabande | | | Tempo di Gavotta | | | Gigue |
Disc 29
| | Fantasia | | | Allemande | | | Corrente | | | Sarabande | | | Burlesca | | | Scherzo | | | Gigue | | | Ouvertüre | | | Allemande | | | Courante | | | Aria | | | Sarabande | | | Menuet | | | Gigue | | | Praeambulum | | | Allemande | | | Corrente | | | Sarabande | | | Tempo di Minuetto | | | Passepied | | | Gigue |
Disc 30
| | Fuga, nach dem Allegro der Sonata 6 in Jan Adam Reinkens |
Disc 31
Disc 32
| | Allegro | | | Largo | | | Presto | | | Ouvertüre | | | Courante | | | Gavotte 1 & 2, da capo | | | Passepied 1 & 2, da capo | | | Sarabande | | | Bourrée 1 & 2. da capo | | | Gigue | | | Echo | | | Fantasie | | | Fugue |
Disc 33
| | Aria | | | Variatio 1 | | | Variatio 2 | | | Variatio 3, canone all'unisono | | | Variatio 4 | | | Variatio 5 | | | Variatio 6, canone alla seconda | | | Variatio 7 | | | Variatio 8 | | | Variatio 9, canone alla terza | | | Variatio 10, fughetta | | | Variatio 11 | | | Variatio 12, canone alla quarta | | | Variatio 13 | | | Variatio 14 | | | Variatio 15, canone alle quinta, andante | | | Variatio 16, ouverture | | | Variatio 17 | | | Variatio 18, canone alla sesta | | | Variatio 19 | | | Variatio 20 | | | Variatio 21, canone alla settima | | | Variatio 22, alla breve | | | Variatio 23 | | | Variatio 24, canone all'ottava | | | Variatio 25 | | | Variatio 26 | | | Variatio 27, canone alla nona | | | Variatio 28 | | | Variatio 29 |
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| Customer Reviews: Read 54 more reviews...
Definitely worth the price, which factors into the rating February 10, 2007 Austin Reader 89 out of 92 found this review helpful
[...]This Bach set is an amazing bargain. Clearly the set is geared towards the novice and you'll want to replace individual performances eventually; but much of this material is difficult or impossible to get elsewhere (except as part of one of the two other Complete Bach cycles), and you'd be unlikely to anyway. Plus, there are many very good performances, which alone would make the set worthwhile at this price. As far as I am concerned, the Hanssler Classics complete set is the best of the complete sets. I've reviewed that one separately. However, it is ten times more expensive, if you can even find it. Your other choice, the Bach 2000 set, contains the Leonhardt-Harnoncourt cycle of Cantatas, which I cannot stand. I agree with Jim Svejda when he noted that Harnoncourt and Leonhards "gleefully take turns mauling the luckless pieces beyond recognition." One of the saddest facts of musical history is that Bach was not recognized for the genius that he was in his lifetime. His compositions were mostly occasional music that were played once. After his death, they were so little respected that much of the sheet music was sold for scrap paper and about a third of the Cantatas were lost forever. Fortunately we have what we do. That Brilliant Classics has made this wonderful music available at a price that allows a more widespread distribution makes it reason enough to purchase the set. Brilliant Classics attempted to record the entirety of Bach's remaining compositions on period instruments utilizing the most recent Bach scholarship. 65% of the set are new recordings. The other 35% were licensed from other lables. Now some, like me, much prefer the recordings on modern instruments. I have yet to hear a harpsichord rendition of the Goldberg Variations that is superior to the top performances on piano (although it is a well-known fact that Bach hated the piano, which during his lifetime was little more than a toy). All of the keyboard works on this set are recorded on harpsichord. Pieter-Jan Belder records that Goldberg Variations. It has received fine reviews, but I simply cannot get beyond my prejudices against the harpsichord to comment meaningfully (it is quite lively, though). That said, and with the reservation that this set is performed with nearly all period instruments, I can recommend it without hesitation at this price. The Brilliant Classics set has an interesting history. It is based on 5-disc sets of the Cantatas sold at the Krudivat drug store chain in the Netherlands at bargain basement prices (the equivalent of pennies per Cantata). More than 100,000 sets were sold in the Netherlands alone. Pieter Jan Leusink, conductor of Holland Boys Choir and Netherlands Bach Collegium, recorded the Cantatas over a period of 15 months, an insanely short period of time. It is the first digital recording of the Cantatas. There is a consistency of performers in this cycle that is unrivaled, although not all of the performers performed at the same time. Also I find the women singers on the Rilling cycle of Cantatas better than anything a choir of boys can do, despite the unhistorical aspect of such. I doubt that female singers would have shocked Bach--after all, he married one. An interview with Leusink regarding the cycle can be found online.
A terrific buy on some of the best music ever written December 27, 2006 Denis (Portland, OR) 25 out of 26 found this review helpful
I can't say enough good things about this compilation of the complete works of JS Bach. Just a set of the complete organ music of Bach or the complete cantatas often costs more than this entire 155 CD set of all Bach's music. All of it! Most of the performances are at least good, many are excellent, and some are even superlative. And the sound is excellent throughout. I have admired the Fagius performances of the organ music even before buying this set, having already heard some of his recordings. These alone, incorporated in 17 packed CDs, are worth the price of the set. All 200+ sacred catatas are spread over 60 disks. For me, this has been the highlight because the performers seem to be having such a good time doing the music. It's fun to just pick a number, find it, and enjoy the music. Brilliant Classics has treated us to a real musical banquet. Enjoy the feast!
An Absolute Essential for any Classical Music Enthusiast May 22, 2007 Ray 29 out of 31 found this review helpful
This comprehensive collection of all known Bach works is simultaneously the easiest and the most difficult set to review. "Easiest" because in a single set of some 150 CD's, one immediately has the entire Bach repertoire at one's hands, with the majority of individual recordings consisting of solid performances and good recording quality. "Difficult" because, due to the sheer number of performances, it would take many pages to individually and meaningfully write up a description that accurately conveys the range of entries within the set. But in a sense, this entirely misses the point. It is simply impossible to understate what Brilliant Classics has done for the classical music world with the release of a set like this. For the first time, one can own a comprehensive Bach collection for little more than the price of a single, good restaurant meal for two people. The fact can hardly be overstated: this set makes acquiring such a collection no longer the domain of only the wealthiest amongst us. This is most certainly the "democratization" of classical baroque music. Over the years, I have certainly spent what often feels like exorbitant amounts of money on individual, and sometimes, box sets, of classical music. There is no denying the human skill possessed at the major recording labels, including experiential knowledge of the proper placement of microphones, the best mixing techniques, the optimal types of equipment selected for use, and then, of course, access to the world's greatest performers. We would never wish to lose that combination of talent, and there is no attempt here at minimizing either the value or the enjoyment that can be experienced through such endeavors. Quite the contrary. Such undertakings are both an art form and a technical skill that provides immense value to the world at large. And we should give kudos to those major labels who in recent years have begun to reissue classic records in box sets at much lower prices (Detusche Grammophon's "Collector's Editions" immediately comes to mind, as well as Philip's "Duo Series," and many others, not the least of which also includes Philip's recent reissue of the "Complete Mozart Edition.") But what we have here completely surpasses these in every respect, and opens up new possibilities for the average listener who does not have mountains of disposable income to put towards the acquisition of a classical music collection. There can be no question in my own mind that the people who put this set together did it far more for the sake of classical music as an art form rather than a money-making exercise. It is truly a meaningful contribution to the music world at large. And what of the quality of the performances and the recordings? For the discs which I have already played, there are simply no real disappointments here. Some of the performances are on par with the "best of the best," and many of them are absolutely gorgeous. With a set this large, it is beneficial to read the multiple reviews individuals are posting to get a better sampling of the various sections of the overall set, but I've been quite pleased with what I've heard so far. I will likely update this post with more specific comments over time, but for now, let me just say that you should BUY THE THING BEFORE IT DISAPPEARS. You won't regret it, will probably be increasingly pleased over the years that you did, and hopefully will receive many years of enjoyment from the collection. Ten stars out of five, but even more important than that, a genuine "Thank you" to Brilliant Classics for what they have done for all of us here.
MegaBach February 13, 2007 Spencer Morrow (Boston Mass.) 18 out of 18 found this review helpful
Well, the price was too good to pass up! And though I've not listened to it all, I've sampled numerous parts of each section. I've not been disappointed by any of the instrumental works--good cheeky period-instrument performances that rank with any of the higher-priced, better known groups. The lute suites are a revelation, since most of us are familiar with them only in guitar versions. The harpsichord concerti are remarkably well-balanced, solo instrument(s) to orchestra--something that is not always the case. I must confess that--as a composer--I've always preferred Bach solo keyboard works on the modern piano (if played in a clean manner, such as Schiff or even the classic Gould) because the counterpoint is better revealed. But any music lover should have both harpsichord and piano versions of these works anyway. The cantatas are generally well-performed; they do have a small "provincial" feel about them, but in a way that adds a charmingly earnest quality to them. The organ works are well played. The set is very well laid out, making finding a disc easy. The CD included with notes and texts is a bit of a pain in the butt to use. I suggest that anyone ordering the set (and any music-lover should) also look for a copy of the Oxford Composer Companions series J.S. Bach, ed. Malcolm Boyd.
A Superb Bach Compilation July 27, 2007 Annandrome (Annandromehome, MA) 17 out of 17 found this review helpful
We have now purchased three of these wonderful compilations of Bach's works - one each for our winter and summer homes and one for a friend. The collection has so far given many hours of musical pleasure and the pleasure of knowing that there are many more hours to come. We started our listening with the d Chaconne for unaccompanied violin. The performance of this great work rivals the greatest performances we have heard. It is articulate, technically superb and the musical interpretation transcends the limitations of early music performance practice. Listening to other of the single instrument works, concerti and contatas has further underscored the excellence of this collection. One of the nicest aspects of the collection is its presentation. Having Bach in a box is like reaching for a Whitman's chocolate - convenient and pleasurable. Though we already have thousands of classical CDs, vinyl records and tapes, we consider this collection to be a major component of our musical library. And best of all, in order to listen to the entire set, without overBaching ourselves, we will have this pleasure for many years to come. Annnandrome
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